__

Armstrong, Peter, ‘Edward Thomas on The Camino Frances’ (poem), I.3, 596; ‘At the Grave of Beveridge’ (poem), I.3, p. 597; ‘From the Outlying Islands’ (poem), I.3, 598.

Bailey, Joseph, ‘“Coachmen into Chauffeurs”: Letters Between Robert Graves and Basil Liddell-Hart in the Middle of World War Two’, I.4, 625.

Bemben, Alicja, ‘The Claudian Dilogy and Its Early Criticism Alicja Bemben’, I.1, 107.

Brihac, Beverley Bie, ‘When the Circus Came to Town’ (poem), I.2, 401; ‘High Life’ (poem), I.2, 402; Île De France’ (poem), I.2, 403; ‘Chartres’ (poem), I.2, 404;

Brink, Bret van den, ‘Beatrice Nest, White Goddess: Romance and Ecology in A. S. Byatt’s Possession: A Romance’, I.4, 607.

Caballero, Linda Morales, ‘Pas De Deux’ (poem), I.1, 223 (co-translator); ‘So Much’ (poem), I.1, 224 (co-translator); ‘Visit’ (poem), I.1, 225 (co-translator).

Carder, Richard, ‘Graves, Ghosts, Madness, Magic & Religion’, I.2, 245.

Corbett, Maryann, ‘Archaeology’ (poem), I.4, 797; ‘A Chronicle’(poem), I.4, 798; ‘The World’s False Subtleties (poem), I.4, 799.

Davidson, Jonathan, ‘Impromptu Performance’ (poem), I.2, 407; ‘Beginning at the End’ (poem), I.2, 408; ‘Two Boys’ (poem), I.2, 409.

Ellington, Faith, ‘“Like a Ghost at the Door”: Women’s World War I Poetry’, I.2, 277.

Fainlight, Ruth, ‘She Be Me’ (poem), I.1, 215.

Gowar, Mick, ‘Pagan Survivals or Surviving Paganism’, I.3, 561.

Graves, Lucia, ‘The Correspondence Between Robert and Beryl Graves’, I.4, 675.

-- TRANS.‘Pas De Deux’ (poem), I.1, 223 (Linda Morales Caballero, auth.); ‘So Much’ (poem), I.1, 224 (Linda Morales Caballero, auth.); ‘Visit’ (poem), I.1, 225 (Linda Morales Caballero, auth.).

Graves, Robert, ‘I Am Your Poet’ (poem), I.3, 544; ‘The Mead-Vat’ (poem), I.3, 545.

Graves, William, ‘Robert Graves Trusts and Related’, I.1, 195;

‘Margot Callas’ (obituary), I.3, 603.

Greaves, Sara, ‘Robert Graves’s Mythopoetic Hospitality: Translating The Rubaiyyat of Omar Khayaam’, I.2, 259.

Hadas, Rachel, ‘Introducing Maryann Corbett and Alexander Lazarus Wolff’, I.4, 795.

Hahn, Carl, ‘“The Plague of Modern Scholarship” (Theses and Dissertations on the Subject of Robert Graves)’, I.1, 157; ‘The Ur-Text to “The Country Dance”: An Unrecorded Poem’, I.1, 189 (co-author Michael Joseph); ‘Verses for Margaret Russell’, I.2, 373 (co-author Michael Joseph).

Holzer, Vivian (See Rozental, Vivian Holzer).

Isherwood-Wallace, Eva, ‘Never-Begotten Perfect Daughters: Laura Riding and Mina Loy’s Steinian Inheritances’, I.1, 89.

Jessop, Anett K., ‘Collaboration & Adaptation: Laura Riding & Robert Graves’s “Greeks and Trojans”’, I.3, 465; ‘“All You Need is Love?” The Robert Graves Society Panel at the 2024 MLA’, I.4, 744 (co-author, Michael Joseph).

Johnson, Kris, ‘the Apple Tree’ (poem), I.4, 792; ‘Ghost Orchard’ (poem), I.4, 793; ‘Promises’ (poem), I.4, 794.

Joseph, Michael, ‘Introduction’, I.1, i; ‘A Different Look for ‘“The Face in the Mirror”’, I.1, 121; ‘The Ur-Text to “The Country Dance”: An Unrecorded Poem’, I.1, 189 (co-author Carl Hahn); ‘Introduction’, I.2, i; ‘A Previously Uncredited Letter’, I.2, 365; ‘Verses for Margaret Russell’, I.2, 373 (co-author Carl Hahn); ‘Editorial Introduction’, I.3, i; ‘A Matter of Interpretation’, I.3, 551; ‘Closing the Book: An Introduction’, I.4, i; ‘“All You Need is Love?” The Robert Graves Society Panel at the 2024 MLA’, I.4, 744 (co-author, Anett K. Jessop);

Kneitly, Jonahs, ‘Robert Graves and The Beats: Poets of Unrest’, I.4, 749.

Kohli, Devindra, ‘Poised There in Conjunction’ with the Muse: Robert Graves’s Dialogue of One in ‘The Face in the Mirror’, I.4, 636.

Leadbetter, Gregory, ‘The “Reserve of Superstition”: Graves, Coleridge, and the Poetry of Mystery’ I.1, 1; ‘Poems Selected by Gregory Leadbetter’ I.2, 405.

Leonard, John, ‘Authorial Error in Wife to Mr Milton’, I.3, 549; ‘Owen and Sassoon at Craiglockhart’, I.3, 572.

Lindop, Grevel, ‘A Farewell’ (poem), I.1, 217; ‘Scrimshaw’ (poem), I.1, 218; ‘The Witch Bottle’ (poem), I.1, 219. ‘“Good Luck ... and Blessed Be”: Robert Graves and F. A. C. Boothby’, I.3, 473;

Longley, Michael, ‘Dartford Warbler’ (poem), I.1, 213; ‘Plovers’ (poem), I.1, 214.

Maloney, Kathleen, ‘Alice Hughes Kersnowski’ (obituary), I.2, 423.

O’Brien, Sean, ‘Flying the Flag’ (poem), I.1, 226; ‘Star of Bethlehem’ (poem), I.1, 228; ‘The Works’ (poem), I.3, 587; ‘Blackthorn Blossom’ (poem), I.3, 588; ‘The Shortest Day (poem), I.3, 589; ‘Poems by Tamar Yoseloff and Peter Armstrong’, I.3, 591; ‘Yours in Haste’ (poem), I.4, 786; ‘Amnesia’ (poem), I.4, 787; ‘The Prince of Aquitaine’ (poem), I.4, 788; ‘Introducing Katherine Towers and Kris Johnson, I.4, 789.

O’Conner, Patricia T., ‘Introduction to The Reader Over Your Shoulder’, I.2, 389.

O’Prey, Paul, ‘Robert Graves’s Favourite Poem? The One that Saved his Life’, I.1, 51; ‘The Grieving Saint’(poem), I.1, 220; ‘The Night Cocklers’ (poem), I.1, 221.

Olson, Marilynn S., ‘William Nicholson and the Pirate Twins’, I.1, 25.

Robert Graves Oral History Project, ‘To Return to Wild Olives: Interview with William Graves Robert Graves Oral History Project’, I.2, 327; ‘Interview with Vivian Holzer Rozental’, I.4, 706.

Romer, Stephen, In the Time of Plague’ I.2, 413; ‘Oxford Lockdown’ (poem), I.2, 414; ‘Translation Class’ (poem), I.2, 415; ‘Guilty as Charged’, I.2, 416; ‘Hortus Conclusus’ (poem), I.2, 417; ‘My Bookends’ (poem), I.2, 418.

Rozental, Vivian Holzer, ‘Poetry and the Olympics, 1968 Mexico, Robert Graves’, I.2, 296; ‘An Interview with Vivian Holzer Rozental’, I.4, 706.

Simon, Christopher G., ‘Robert Graves and the Emperor Claudius’, I.3, 452.

Singh, Medha, ‘The Meadows’ (poem), I.2, 410; ‘After’ (poem), I.2, 411; ‘Zone’ (poem), I.2, 412.

Smith, Oliver D., ‘Atlantis, Lake Tritonis and Pharos’, I.1, 207.

Southan, Malcolm, ‘Meeting Robert Graves, I958’, I.4, 736.

Stroud, Steven Michael, ‘Derick Boothby’s The White Goddess’, I.2, 379; ‘Wicca Reading The White Goddess’, I.3, 502.

Theodorakopoulos, Elena, ‘Obscene or Sentimental? Graves and the Muses of the 1960s’, I.4, 758.

Thomas, Joseph. (See Thomas, Joseph T. Jr)

Thomas, Joseph T., ‘Drawing Music from Penny Fiddles, or, a Biographical Account of Robert Graves and Theodore Roethke’s Secret Lives as Children’s Poets with a Look at their Neglected Masterworks, The Penny Fiddle and I Am! Says the Lamb, along with a Few Other Things’, I.1, 59; ‘A Brief Foray into Nonsense by Way of Robert Graves’s The Penny Fiddle: Poems for Children’, I.2, 231; ‘Advice to Children’ (poem), I.2, 397; ‘Please Read Carefully’, I.3, 575; ‘Some Reflections on Robert Graves, J. R. R. Tolkien, World War I, and the Sixties Counterculture’, I.4, 768.

Towers, Katharine, ‘Blackbird’ (poem), I.4, 790; ‘Erik Satie’s Gnossienne Lesson’ (poem), I.4, 791; ‘Her Blue Chair (Hermit Songs 5)’ (poem), I.4, 791.

Ward, Dunstan, ‘Anne Mounic’ (obituary), I.2, 426; ‘Lasting’ (poem), I.2, 399; ‘Poetic Correspondence: The Verse Letters of Robert Graves’, I.3, 514; ‘A Radiant Certitude’ (poem), I.2, 398; ‘She Sings The Poet’ (poem), I.2, 400; ‘Two Unpublished Robert Graves Muse Poems’, I.3, 539; ‘Death Cycle’, I.4, 814;

Wolff, Alexander Lazarus, ‘Controlled Burn’ (poem), I.4, 800; ‘The Clash’ (poem), I.4, 801; ‘The Divertissement’ (poem), I.4, 802.

Woolf, Judith, ‘A Hatful of Larks: Reimagining Robert Graves’s ‘Love Without Hope’, 4.3, 435; ‘Neil Corcoran’s Negotiations: A Critic and His Contexts’, I.4, 806.

Yoseloff, Tamar, ‘Bearskull’ (poem), I.3, 595; ‘Levee’ (poem), I.3, 594; ‘The Painter in His Prime’ (poem), I.3, 593.